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Then, under a portico in front of us, a man began to undress. He threw off his dhoti and his sarong, keeping on his loin-cloth only. With outstretched arms he placed a heavy copper pot full of water on the ground, took it up between[Pg 171] his teeth, and without using his hands tilted his head back till the water poured all over him in a shower, which splashed up from the pavement, sprinkling the spectators in the front row. Next he tied his dhoti round the jar, which he refilled, and fastened the end to his long hair. Then, simply by turning his head, he spun the heavy pot round him. It looked as if it must pull his head off, but he flung it faster and faster till he presently stopped.

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ONE:Inside the shops everything was piled together. The same man is at once a banker, a maker of papier-mach boxespapi-machi they call it hereand of carpets, a goldsmith, tailor, upholstererand never lets you go till you have bought something.

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TWO:Words and more words for an hour, till one of them stooping down took up a handful of sand and flung it to the earth again at her feet. The other, at this crowning insult, which, being interpreted, conveys, "There, that is how I treat you! like sand thrown down to be trodden on," covered her face with her sleeves and fled howling.

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TWO:In front of us were men loaded with bundles or with children; old women gasping as they leaned on long staves; chattering women with green or pink or white veils, their arms full of sheaves of flowers. By each little templebetween which there are[Pg 71] kiosks, sheltering innumerable grinning idolstrees grow, and under their shade the pilgrims break the climb with a short rest. In a palankin, carried by two men, a slim woman's figure was borne past, in a pink gauze dress spangled with silver; her feet and hands, beringed with silver and gold, were exquisitely delicate. For an instant her veil blew aside, showing her face, rigid with horrible white leprosy, only her almond-shaped black eyesbeautiful eyeswere alive with intense brilliancy, full of unfathomable woe.Then her bedroom: no bed, only a vast mattress rolled up against the wall, and spread over the floor every nightit must cover the whole room.

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TWO:

We don't make sites, we craft themes with love & passion. That is our most valued secret. We only do thing that we love.


ONE:

We believe ideas come from everyone, everywhere. In fact, at BlackTie, everyone within our agency walls is a designer in their own right. And there are a few principles we believe—and we believe everyone should believe—about our design craft. These truths drive us, motivate us, and ultimately help us redefine the power of design. We’re big believers in doing right by our neighbors. After all, we grew up in the Twin Cities and we believe this place has much to offer. So we do what we can to support the community we love.

Over the past four years, we’ve provided more than $1 million in combined cash and pro bono support to Way to Grow, an early childhood education and nonprofit organization. Other community giving involvement throughout our agency history includes pro bono work for more than 13 organizations, direct giving, a scholarship program through the Minneapolis College of Art & Design, board memberships, and ongoing participation in the Keystone Club, which gives five percent of our company’s earnings back to the community each year.

ONE:[Pg 73]Four women and two men wearing masks stretched in a broad grimaceone of the men in a red satin robe edged with leopard-skin, while the other had a squalid white shirt, intentionally soiled, over all his clothesthen began to dance round the priest, stopping presently to spin very fast on one[Pg 149] spot, and the girls' skirts floated gracefully in heavy folds, showing their under-skirts of bright satin embroidered with silver and gold. One of these women, who were not satisfied with painting their faces, by way of adornment, on the nose and cheeks with blackened pig's blood, took off her mask, showing her whole face smeared with it. She and the man in the dirty shirt played a number of mountebank's tricks to the great delectation of the spectators, and she finished amid thunders of applause by seating herself on the Lama's knee and stroking his beard.

To achieve real change, we have to expand boundaries. Because the Wild West of what-could-be is unexplored but rife with opportunity.



TWO:Delhi appeared in the blinding light like an unsubstantial vision, white against a bleached sky; and as we got nearer the city half vanished like a mirage, blotted out and dim through a shifting cloud of dust.In the depths of a deserted temple in the bazaar, amid heaps of rags, bones, and colourless debris, dwelt an old man, a very highly venerated fakir, motionless in his den, while around him were gathered all the masterless dogs of Srinagar, who allowed no one to come near him and flew at anybody who tried to enter the temple.

Employees and consumers. Two halves of a brand’s entirety, the whole of a brand’s audience. Sometimes these two halves have very different viewpoints, creating a weak spot in the brand story. Weakness tarnishes credibility. Brands that aren’t credible aren’t viable.

We squash weakness by designing the whole brand story. It’s crafted around the truism held by employees and consumers to create an experience that connects from the inside out.

By being true to the brand we represent, we elevate the audiences’ relationship to it. Like becomes love becomes a passion. Passion becomes advocacy. And we see the brand blossom from within, creating a whole story the audience embraces. That’s when the brand can truly flex its muscles.

TWO:

ONE:"Ah, your Kali, then?"Four women and two men wearing masks stretched in a broad grimaceone of the men in a red satin robe edged with leopard-skin, while the other had a squalid white shirt, intentionally soiled, over all his clothesthen began to dance round the priest, stopping presently to spin very fast on one[Pg 149] spot, and the girls' skirts floated gracefully in heavy folds, showing their under-skirts of bright satin embroidered with silver and gold. One of these women, who were not satisfied with painting their faces, by way of adornment, on the nose and cheeks with blackened pig's blood, took off her mask, showing her whole face smeared with it. She and the man in the dirty shirt played a number of mountebank's tricks to the great delectation of the spectators, and she finished amid thunders of applause by seating herself on the Lama's knee and stroking his beard.

To develop a deeper and more meaningful connection with consumers, we believe design must invite them to take part in the conversation.

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ONE:After him came another little Hindoo, dragging a mongoose, very like a large weasel with a fox's tail. He took a snake out of a bag, and a battle began between the two brutes, each biting with all its might; the sharp teeth of the mongoose tried to seize the snake's head, and the reptile curled round the mongoose's body to bite under the fur. At last the mongoose crushed the serpent's head with a fierce nip, and instantly a hawk flew down from a tree and snatched away the victim.At the last moment some porters, preceded by two sowars in uniform and holding pikes, bore a large palankin, hermetically closed, to the door of a first-class carriage, and softly set it down. The carriage was opened for a moment: I could see within a party of women-servants, shrouded in white muslin, who were preparing a couch. An old negress handed out to the porters a large sheet, which they held over the palankin, supporting it in such a way as to make a covered passage screening the carriage door. There was a little bustle under the sheetthe end was drawn in, and the sheet fell over the closed door.



FORE:As we passed the sacred tanks, where a smell of decay filled the air that still rang with the cries of the bats, our horses suddenly shied and refused to go forward, terror-stricken by some invisible danger suggested to them by that reiterated shriek or the corpse-like smell. A very long minute passed as we sat in the carriage, a minute of dread that left us quite excited by this mysterious peril of which we had somehow felt the awe. Nor was it till we had left the great trees by the tanks behind us that the impression wore off under the comforting light of the stars.Ekkas, and chigrams closed with thick curtains, came galloping past with loud cries from within. All was noise and a shifting of many colours, seeming more foolish here, in this large island, with its deserted avenues of tall trees, than anywhere else.

Mike combines an expert technical knowledge with a real eye for design. Working with clients from a wide range of industries, he fully understands client objectives when working on a project, large or small.


FORE:They were clad in colourless rags, matted and grizzled hair hung about their pain-stricken faces. The woman was the more delicate, her bones smaller and less knotted than those of the man, whose joints were gnarled, his scraggy knees forming thick bosses of bone above his shins. They threw themselves like hungry animals on some cooked grain which Abibulla brought out for them, and then, with scared looks all round, they went quickly away, as quickly as they could with halting, weary feet, without even saying thank-you.

Tim is an experienced marcoms practitioner and manages projects from inception to delivery. He understands the synergy between great design and commercial effectiveness which shines through on every project.


FORE:The south-western side of the great rock of Gwalior is hewn into temples sheltering gigantic statues of Tirthankar; there are the usual bas-reliefs all over the walls, idols squatting under canopies and pagodas, slender columns supporting arches, standing out in contrast with the ochre-coloured stone. Other temples, vast halls as at Elloraa vale of pagodas, "the happy valley"have all disappeared under the picks of engineers, to make a dusty road to the new town of bungalows all adobe and straw thatch.

Be a creative director is a hard task, but Michele loves what she does. Her combination of knowledge and expertise is an important pillar in our agency.


FORE:Shortly before sunset the dastour arrivesthe high priestin white, with a white muslin turban[Pg 15] instead of the wax-cloth cap worn by other Parsees.

Jaye began making websites when animated logos and scrolling text were cool, but has since found a love for simplicity, creating websites that are a pleasure to browse. Monkey Island Fan.

TWO:As we went further south Moslem tombs became more and more rare; the lingam was to be seen here and there among the rice-fields: a gross idol made of stone and looking like a landmark, set up under a tree or sheltered by a little kiosk. Soon temples of Vishnu were seen, raising their[Pg 104] pyramidal piles of ten stories to the sky. Amid the cool shade of palms and bamboos, close to each temple, was a fine tank with steps all round it; and surrounded by this magnificence of architecture and vegetation Hindoos might all day be seen bathing, dwellers in hovels of plaster or matting, sometimes in mere sheds supported on sticks, within the shadow of the splendid building full of treasure, in which the god is enshrined.The storm raged on all day, bringing down clouds that swept the earth and yawned in cataracts, to the awful roar of the thunder that shook the foundation of rock.

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ONE:"How much for this stuff?"The rock is girt with a belt of walls, and in the citadel, besides Mandir, with its outbuildings and tanks, there is a whole town of palaces and temples, which are being demolished little by little to make way for barracks.

From the purely practical to the richly philosophical, design is the solution to a host of challenges.



ONE:


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ONE:Really the prison this time! in the midst of a large enclosure with high walls; a building on a star-shaped plan, with large windows to admit air and daylight. The prisoners, in a white uniform, with chains on their feet, were manufacturing various articles in basket-work, and in a shed with a cotton awning a hundred or so of convicts were weaving carpets. The brilliancy of colour was indescribable; the vividness of the medley of worsted piled by the side of the gorgeous looms, the light hues of the dresses, the faded turbans touched with light, the glitter of the steel chains, the bronze skins, glorified to gold in the quivering sunshine, which, scarcely subdued by the awning, bathed the[Pg 87] scene in a glow so intense that it seemed to proceed from the objects themselves. Behind each loom sat a warder, with the pattern of the carpet on his knees, dictating the colours to the weavers, chanting out his weariful litany of numbers and shades in a monotonous voice.

There’s more to design than meets the eye. It’s when it meets the heart that design creates a meaningful, lasting connection with the audience.



ONE:In another hut was a woman, brought hither yesterday with her husband, who had died that morning. She had an exquisite, long, pale face and blue-black hair. On her arms were many[Pg 35] bangles, and gold earrings glittered in her ears. For a moment she opened her large gazelle-like eyes, and then with a very sad little sigh turned to the wall, making her trinkets rattle. She was still dressed in her blue choli. A striped coverlet had been thrown over her; by her bed she had a whole set of burnished copper pans and canisters. Charmingly pretty, and not yet exhausted by the disease, which only declared itself yesterday, she was sleeping quietly, more like a being in a storybook than a plague-stricken creature, who must infallibly die on the morrow under the incapable treatment of the Hindoo "bone-setter."



FORE:Immediately on entering we were in the maze of vaults, sanctuaries, great halls and arcades, where stall-keepers sell their goods, priests keep school, and flower-sellers wander. Statues, repeated in long rows, lead up to temples all alike, of a bewildering uniformity of architecture and identical decoration.
Published Aug 30.
TWO:Presently three beggar-women came up to sing from door to door. In their arms, like babies at the breast, they carried shapeless idols painted red, bedizened with spangles and gilt paper. They wailed out a ditty repeated again and again, knocked perseveringly at the doors, insisting on alms; and[Pg 96] then, when they had received it, they touched the threshold with their blood-coloured puppets and departed.

Armed with insight, we embark on designing the right brand experience that engages the audience. It encompasses both the strategic direction and creative execution that solves a business problem and brings the brand to life.

In the create phase, the big idea is unleashed to the world through different media touchpoints. This is when we watch the audience fall in love all over again with our client’s brand.

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FORE:Beyond the new town of broad avenues planted with trees and bordered with gardens, was a brand-new bridge of gaudy bricks over a river, almost dry, where a swarm of naked natives were performing their ablutionswashing linen and shaking out red and white cloths, as far as the eye could see. Buffaloes lying in the mud were sleeping among the tame ducks, the ibis, and the herons, all seeking their food. An elephant plunged into the water, splashing it up and scaring thousands of bright birds, which flew up against the intensely blue sky.
Published Aug 28.
TWO:One of the largest buildings once slid into the river during an earthquake, and stands there complete and unbroken, its magnificence surviving under water. Some minarets only rise above the surface like kiosks, and form a landing-stage, invaded by[Pg 159] the bathers, who wash themselves with much gesticulation, flourishing their long sarongs and white loin-cloths, which they spread out to dry on the steps.Very early in the morning we met a many-coloured caravan of men, women, and children riding astride on asses, amid baskets and bundles. They were on their way to a wedding: they had stopped to rest for the last time; and alone, far from the merry, noisy group, a "bad woman" sat down on a stone. She was on the way to the same festival, and was allowed to travel with the[Pg 288] caravan for succour in case of need; but she was not permitted to join the party.

Armed with insight, we embark on designing the right brand experience that engages the audience. It encompasses both the strategic direction and creative execution that solves a business problem and brings the brand to life.

In the create phase, the big idea is unleashed to the world through different media touchpoints. This is when we watch the audience fall in love all over again with our client’s brand.

Read More




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Then, under a portico in front of us, a man began to undress. He threw off his dhoti and his sarong, keeping on his loin-cloth only. With outstretched arms he placed a heavy copper pot full of water on the ground, took it up between[Pg 171] his teeth, and without using his hands tilted his head back till the water poured all over him in a shower, which splashed up from the pavement, sprinkling the spectators in the front row. Next he tied his dhoti round the jar, which he refilled, and fastened the end to his long hair. Then, simply by turning his head, he spun the heavy pot round him. It looked as if it must pull his head off, but he flung it faster and faster till he presently stopped.

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Some Address 987,

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THANKS FOR VISITING US

Then, under a portico in front of us, a man began to undress. He threw off his dhoti and his sarong, keeping on his loin-cloth only. With outstretched arms he placed a heavy copper pot full of water on the ground, took it up between[Pg 171] his teeth, and without using his hands tilted his head back till the water poured all over him in a shower, which splashed up from the pavement, sprinkling the spectators in the front row. Next he tied his dhoti round the jar, which he refilled, and fastened the end to his long hair. Then, simply by turning his head, he spun the heavy pot round him. It looked as if it must pull his head off, but he flung it faster and faster till he presently stopped.

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THREE:As we go nearer, gothic towers are distinguishable among the buildingsfaint reminiscences of Chester, clumsily revived under the burning light of white Asia.A very solid structure, with walls like a fortress, contains the treasury of the sacred mount. Five guards in turn came to open as many padlocks, and at last the ponderous door turned slowly on its hinges. A car, an elephant, and a vehicle to which are harnessed two prancing horses, are all brought out to convey the idols when they go forth in a[Pg 81] procession. The animals are chased with almost artistic skill. The harness, starry with precious stones, all takes to pieces.

Some Address 987, NY
+34 9884 4893
+34 59855 9853
agency@blacktie.co
@blacktie_co
BlackTie Agency

THREE:A dancing-girl went by, wrapped in white muslin as thin as air, hardly veiling the exquisite grace of her shape. Close to us, in front of two musicians playing on the vina and the tom-tom, she began to dance, jingling the rattles and bells on her anklets: a mysterious dance with slow movements and long bows alternating with sudden leaps, her hands crossed on her heart, in a lightning flash of silver necklets and bangles. Every now and then a shadow passed between the nautch-girl and the lights that fell on her while she was dancing, and then she could scarcely be seen to touch the ground, she seemed to float in her fluttering[Pg 301] drapery; and presently, before the musicians had ceased playing, she vanished in the gloom of a side alley. She had asked for nothing, had danced simply for the pleasure of displaying her grace.With day came the grip of fire, the overwhelming[Pg 302] mastery of the heat. The sunshine pierced through every crack in the shutters and blinds, intolerably vivid. In feverish exhaustion, helpless to withstand the glow and light, we could but lie under the waving punkah and await the blessed return of night.

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THREE:

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FORE:A tea-party in the afternoon at the yacht club. The ladies in smart dresses, the talk all of fashionable gossiphow far away from all I had been seeing. An European atmosphere, where a touch of local colour was only suggested by the native servants. The plague, the ruling terror when I was last in Bombay, was forgotten; the only subject now was the Jubilee, and the latest news from England arrived by that day's mail.
In the close-shut room the air, loaded with scent and smoke, was quite unbreathable; musicians playing behind a partition added to the irritating effect of all this perfume and noise.In the evening, in the open street, we came upon a circle of bystanders all beating time, while in the midst four little girls were dancing, wearing the sarong, but naked to the waist. They leaned very much over to the right, resting the right elbow on the groin, clapping the right hand with the left, and throwing back the left leg. All four did the same, round and round, and this went on again and again without a pause, under the pale light of the stars filtering through an enormous banyan tree. Occasionally a woman among the crowd would give a slow, long-drawn cry, and the dancers answered in very short notes, piercingly shrill.The jugglers being gone, a boy, to gain alms, opened a round basket he was carrying, and up rose a serpent, its hood raised in anger, and hissing with its tongue out.When we stopped to change horses, two or three mud-huts under the shade of a few palm trees would emit an escort of little native boys, who followed the fresh team, staring at the carriage and the "Inglis Sahib" with a gaze of rapturous stupefaction.
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